Southern Indiana Review, “Rubbernecker,” forthcoming

Cherry Tree, “Vantages of Mating” and “Fate Speaks,” forthcoming

Anthropology and Humanism, “Surrendered” and “War Horse,” forthcoming

Verse Daily, “Patriarch” reprinted from Harvard Review, September 9, 2015

32 Poems, “Everybody’s a Picasso” and “Conversations with the Artist (2),” Summer 2015

Crab Orchard Review, “How to Look at Pictures,” Summer 2015

Valley Voices: The New York School Issue, December 2014

Harvard Review, Patriarch,” Issue 46, Fall 2014

Literary Imagination, “The Way to Sketch,” Vol 16:3, November 2014

Crab Orchard Review, “Evolution,” Vol. 19:1, Fall 2014

New England Review, “Ministry of Ostriches” and “Caught,” Vol. 35:1, Summer 2014

Ploughshares, “What is Left Here,” Vol. 40.1, Spring 2014

Southern Indiana Review, “How to be Reckless” and “The Mothers,” Vol.21.1, Spring 2014

Smartish Pace, “Women, Bird and Stars,” Vol. 21, Summer 2014

War, Literature & the Arts, “The Last Time I Saw Manila,” Vol. 26, 2014

Southern Humanities Review, “Bloom,” Vol. 48:1, Winter 2014

Connotation Press, “Leda, After,” “Gunning for It,” and “Crusoe is Still There,” Vol 2.6, Spring 2014 (online)

Cream City Review, “The Movement of Mechanical Objects,” Vol.38.1, Spring 2014

Poetry South, “The Book of Bells, Chimes, and Carillon,” “Earthbound,” and “Pyre,” Winter 2013

The Paris American, “Out of the Ruins,” December 2013 (online)

Switchback, Manuals for Trains,” Fall 2013 (online)

Matter, “We the People,” “Notes on the National Body,” and “Record,” September 2013 (online)

The Missouri Review Poem of the Week, “The Spokes of Venus,” September 2013 (online)

Diode, “Extinction” and “The Yellow Bathing Suit,” Fall 2013 (online)

Washington Square, “Jesus and Tomatoes,” Summer/Fall 2013

32 Poems, “The Art of Reading,” Vol 11.1, Spring/Summer 2013

Reunion: The Dallas Review, “Bird’s-Eye” and “How to Build a Rocket,” Vol. 3, Spring 2013

Redivider, “The End of Emilio,” Vol. 10.2, Spring 2013

Verse Daily, “Pilgrimage,” Fall, 2012 (reprint)

Poetry Daily, “Urban Genesis,” Poetry Daily, August 18, 2012 (reprint)

Mead, “Duet,” Fall 2012 (online)

Inter/rupture, “Triptych: Air Patterns,” Fall 2012 (online)

Hawai’i Pacific Review, “Okio,” Vol. 26, Fall 2012

Pank, “Returns” and “Installation in Cities,” Vol. 7, Fall 2012

International Poetry Review, “Pawn Shop” and “He Was a Good Man,” Vol. 38.1,Summer 2012

Crazyhorse, “Fishing Tackle and Fine Wine” and “Pilgrimage,” Vol. 81, Spring 2012

New South, “Night,” “Night Haze,” and “Past Due,”Vol. 5.1, Winter 2012

Bat City Review, “Casket is an American Euphemism,” Vol. 8, Winter 2012

Blackbird, “Shanty,” “Santo Tomas, and “Peccadilloes,” Fall 2011 (online)